Travel

So there I am, sitting at my desk with a pencil in hand. I begin to draw. I draw a Thing, but it looks familiar. So I draw another and another. Everything I draw feels like I’ve done it before.100drawn

So that’s it. I’ve done it. I’ve drawn everything there is to draw. There’s nothing more I can do.

I’ve never been one to express my life through art. My inspiration comes from what I see and wonder about, not from emotion or circumstance. So if at times I find that I’m repeating myself in my work, I have to go somewhere else.

Art is about looking. If I’m in a place where I’m too familiar with my environment, I’m not looking — I’m knowing! Imagine only talking about what you know all the time. Nobody is going to listen to someone after they’ve spewed the same fifteen facts eight times in a row, so you have to learn something new. Travel is a great way to learn.

ihungerAlthough it would be awesome to cross an ocean, even the familiar can be new. I try to put myself in situations where I’m not on autopilot. I’ll go somewhere and be around people I’m not used to, smell new smells, taste new tastes. Then I have plenty of new things to draw, and when I come back I see things I was ignoring at home!

So if you feel like you’ve drawn everything in the universe and there’s nothing left for you to draw, you’re wrong. There’s so much stuff on planet Earth, and so much is happening to that stuff all the time. It’s great and horrible and amazing and it begs to be put down on paper.

Whether it’s for a weekend or a month, get on a bike or a bus or a plane, shake the cobwebs out of your eyes, and draw!

To those out there who use art to express your feelings: do you ever find yourself artistically “stuck” because you’re caught in an emotional loop? What do you do to break out of a repetitive emotional cycle?

Drawing with Purpose

Portraits are not meant to be photographs. Between cameras and Photoshop filters, anyone can make a stylized copy of their pet. That’s why, when I do a pet portrait, it’s important for me to get an idea of what each animal’s personality is and what the client loves about their pet.

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A “band poster” thumbnail

The thumbnails (quick little sketches that come before the rough sketch) help me feel out what’s going to “fit” the dog. At this stage, there are no wrong answers. I try everything. Different angles, moods, orientations, and shapes.

After I’ve filled a couple pages with ideas, it’s time to edit. I consider the pet’s personality and the client’s personal taste. I settle on one or two compositions, clean them up enough so they’re understandable (thumbnails tend to be very small and very messy), and send them to the client for approval.

20160813_141559-1_resizedFrom there I make a series of small drawings to get a feel for the form. Once I have a sense of the subject, I can draw it in whatever pose I need.

I make sure the marks I make are intentional. The style of drawing should reflect the animal. When I drew Bunter, a quiet old Westie, I rendered him softly. This wasn’t a yappy, bouncing-off-the-walls terrier. Last year I posted a portrait of a German Pinscher, Cinnamon. Cinnamon is a bold little dog — she would not be recognizable in soft graphite!

Pets have personalities, and so do their owners. A pet portrait requires a unique mix of the animal’s nature and the owner’s personal style. So many factors go into a successful portrait, it’s important to be mindful of why I’m making the drawing as I draw.

 

Up, Up and Away

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I painted this 24 x 12″ canvas in May of this year. It showed at the Orange County Fair from July to August, and now it’s back in my painty little hands!

I came to call them “melty ducks” and I like to think they’re mildly miserable in that melty muck. All of them are trying to pull themselves up and out of the goo, and now one of them has done it! He floats away uncertainly. The misery below is miserable, but at least it’s familiar. What about the others? Are they excited? Jealous? Proud? Indifferent? How do their feelings affect the one as he floats off?

Oil paints are goopy melty fun — the perfect medium for goopy melty creatures. I associate oils with school assignments, where we painted from life. I had never done a completely imagined oil painting. I started with a very dark blue base coat and worked the values up into the light.  It’s still quite a dark painting, especially considering how bright my work usually is. It’s moody, but hopefully just enough to be eerie and not mournful.

If I were to do a second painting, I’d explore what awaits this floating blob when he finally turns his head up to the future.

This painting is for sale! Shoot me an email if you’re interested.

Omnichord Animals

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Who wouldn’t want to be as cool as this guy???

I discovered Omnichords last summer while skipping randomly through the internet. A week from the day I learned of these magical instruments, I bought my OM200M on eBay. Since then, I’ve been strumming to synthesized drums like the all-knowing space goddess I imagine myself to be when I plug in my Omnichord.

Read about the history of Omnichords here!

I have noticed, in my time as an Omnichordist, a terrible dearth of Omnichordal ornamentation! So how about some Omnimals?

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Are you an Omnichord enthusiast? Well, if you want this design (sans my name) on a shirt, a bag, or notebook to jot down your electronic compositions, I’ve set up a Redbubble page for this design.

I made this so I could have a bag to carry my Omni, and the drawstring bag (15 x 19.5″) is juuuuust long enough to hold it!  Plus, I was able to pattern these guys across the fabric, which I think turned out pretty neat-o.

Anyway, I’m really happy with how this turned out, and I’m excited to add more designs to Redbubble! If you have an idea for a t-shirt or mug, suggest it either in the comments or via email!

Revisiting Sketchbooks

What do you do when you’re out of ideas?

sketchbookgifIn a creative slump, you may be tempted to look to others for inspiration.  Sometimes that’s a good thing, but what if you could inspire yourself?  You could assure that the ideas you generate are unique to you.

Hopefully you’ve kept a sketchbook (if not, what are you doing, dude?  Get on that!).  Dig out your old notebooks!  With the right frame of mind, old sketchbooks are a great source of new ideas.

sketchbooktrash“But Claire!” you shout, “The last thing I wanna do is look at my old drawings!”  Alas, I cannot hear you all the way over here.  Any disdain you might have for your old work is natural, but you’re going to have to look past all that.  You’ve grown since then, and that’s great!  Something in there may surprise you or make you pause.  Sometimes it’s as simple as an eye-catching curve.

See ideas from a fresh point of view.  You’ve learned plenty since you last visited these drawings.  You can breathe new life into an idea or character you left behind.  Maybe now you know how to better handle a pose or texture now.

Not everything or even most things in there will be productive, so don’t expect this to be a cure-all.  This is just a way to get those creative juices pumping again.  Think of it as past-you giving present-you a little boost.  I’d say, for me, maybe 5-10% of each sketchbook is workable.  At the very least, this exercise provides an opportunity for self reflection and appreciation for your progress.

Old sketchbooks.  Trust me.  What are you keeping them for if you’re not going to use them?